Blog

CROSSTALK No. 006: “The bag”

Each profession has its particularities and could be determined by the contents of the purse, fanny pack, koala, backpack or briefcase of each of its representatives. In our case, thanks to technology, many items in that bag have been reduced, others have disappeared and new ones have emerged. Surely some will match my list, others will not, but I find…

Continue reading

CROSSTALK No. 004: “Silence”

It seems ironic, but one of the things that a sound engineer appreciates most, like the character of Sandra Bullock in the movie “Gravity” in the middle of space, is silence. We may never hear that sidereal vacuum completely. Moreover, few sites are below 35 dbA of noise level, but it is enough to satisfy our search and emotional peace.…

Continue reading

CROSSTALK No. 005: “Sound enhancer?”

When the other day I received the manufactured copy of a disc that we just finished, I was surprised by the sound when I heard it on iTunes®, which is the program that has my default computer to play a compact disc. It sounded brighter, there was something in the highs that was not what I remembered. I took it…

Continue reading

CROSSTALK No. 003: “References”

When I finished my presentation of HA2014, some people approached me to ask me for titles of albums that sound good, that I consider to be “reference”. I can think of “Quartet” by Pat Metheny Group (recorded and mixed by Rob Eaton), “Hourglass” by James Taylor (recorded and mixed by Frank Filipetti) or “Badlands” by Peter Erskine (recorded and mixed…

Continue reading